The tradition of artists creating provocative performance dinners, extends back at least to Filippo Marinetti’s Futurist Cookbook. The Futurists delighted in inedible meals, celebrating their love of speed, violence, and technology. The Domestic Godless, with their wilfully obscure ingredients, their exploration of culinary alternative histories, and their satirical recipes provide a more palatable, if no less creative dining experience. For my latest report for Culture File I visited Broadstone Studios, where delectable monstrosities were being served. What happens when you cross ice-cream with the contents of an Edwardian vanity cabinet? What did the stuffing from the seats of a 1974 Ford Cortina actually taste like? Truth and fiction stir into a potent mix when a godless chef table.
Just a brief post to let you know that Radio Drama Revival, one of the longest running and most popular radio drama podcasts (also an on air radio show) have been kind enough to rebroadcast my radio sitcom ‘Choices‘. Although host Fred Greenhalgh disagrees with calling it a ‘radio sitcom’. Judge for yourself!
Ainesh Sharma is an under confident, over intellectual Indian-Irish twenty something. Ainesh has always been a victim of circumstance; working jobs he didn’t enjoy and failing to live up to his potential. Now, sacked from his factory job and thrown out of home by his disappointed parents, Ainesh is forced to train as a psychotherapist. His course is in ‘Choosing Therapy’, the philosophy that we choose our own destiny, and that everything that happens is our fault. With nowhere to stay, Ainesh is forced to live with two of his bizarre classmates. We follow him as he learns whether there really is such a thing as choice, and if so, how he can make his own destiny.
Choices was funded by the Broadcasting Authority of Ireland, and originally produced for Dublin City FM. The show starred Katie McCann, Aishlinn O’Byrne, Kieran Roche and Dylan Jones, and was produced by Heather MacLeod.
Last year Radio Drama Revival also rebroadcast our ambitious 2012 on location production ‘Any Other Dublin‘. Both Dublin and Choices are available as podcasts on iTunes (and in the listings of pretty much every other podcatcher), if you’d prefer to check them out in episodic format!
Last year I travelled to my girlfriend’s native Ukraine. Bizarrely, many of the places we visited were shortly to become focuses of the Ukrainian conflict, from Maidan Nezalezhnosti to the coast of Crimea. On the way, thanks to the bureaucracy of fortress Europe, we were trapped overnight in Paris’s Charles De Gaulle airport. There are certainly worse places to spend an eleven hour layover (each way). Yet the whole experience, and especially the enhanced security procedures at play in Paris, reminded me unpleasantly of my previous visits to City 17. I wrote this poem, published in the latest issue of Saul Bowman’s never ending zine project, after one particularly intimate encounter.
I’m going to have to pat inside your waistband.
I’m going to have to pat up and down your arms and legs
with the outside of my hands.
It’s no good, you’re going to have to step through once again.
You’re going to have to go through in one movement,
not stop in the middle like you did before.
You’re going to have to come over here, my friend.
I’m going to have to touch you in a way you will never forget.
You’re going to have to show me Paris from the inside out.
I’m going to have to love every minute of it.
We’re going to have to shower once we’re done,
and comb each other’s moustaches.
Yours is going to have to be the colour of caramel,
mine is going to have to go, or people will think we are brothers.
I’m going to have to hold you and keep holding you till we’re little old men.
You’re going to have to die in my arms tonight.
The earth is going to have to slow and cool,
the stars put out their lights,
our blinding cataract.
I’m going to have to let you go.
I’m going to have,
I’m going to.
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